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January 1956 the author Ian Fleming had published three novels—Casino Royale in 1953, Live and Let Die in 1954 and Moonrakerin 1955. A fourth, Diamonds Are Forever, was being edited and prepared for production.^[2][3][a] That month Fleming travelled to his Goldeneye estate in Jamaica to write From Russia, with Love. He followed his usual practice, which he later outlined in Books and Bookmen magazine: "I write for about three hours in the morning ... and I do another hour's work between six and seven in the evening. I never correct anything and I never go back to see what I have written ... By following my formula, you write 2,000 words a day."^[5] He returned to London in March that year with a 228-page first-draft manuscript^[6]that he subsequently altered more heavily than any of his other works.^[7][8] One of the significant re-writes changed Bond's fate; Fleming had become disenchanted with his books^[9] and wrote to his friend, the American author Raymond Chandler: "My muse is in a very bad way ... I am getting fed up with Bond and it has been very difficult to make him go through his tawdry tricks."^[10] Fleming re-wrote the end of the novel in April 1956 to make Klebb poison Bond, which allowed him to finish the series with the death of the character if he wanted.
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January 1956 the author Ian Fleming had published three novels—Casino Royale in 1953, Live and Let Die in 1954 and Moonrakerin 1955. A fourth, Diamonds Are Forever, was being edited and prepared for production.^[2][3][a] That month Fleming travelled to his Goldeneye estate in Jamaica to write From Russia, with Love. He followed his usual practice, which he later outlined in Books and Bookmen magazine: "I write for about three hours in the morning ... and I do another hour's work between six and seven in the evening. I never correct anything and I never go back to see what I have written ... By following my formula, you write 2,000 words a day."^[5] He returned to London in March that year with a 228-page first-draft manuscript^[6]that he subsequently altered more heavily than any of his other works.^[7][8] One of the significant re-writes changed Bond's fate; Fleming had become disenchanted with his books^[9] and wrote to his friend, the American author Raymond Chandler: "My muse is in a very bad way ... I am getting fed up with Bond and it has been very difficult to make him go through his tawdry tricks."^[10] Fleming re-wrote the end of the novel in April 1956 to make Klebb poison Bond, which allowed him to finish the series with the death of the character if he wanted.

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The story centres on a plot by SMERSH, the Soviet counter-intelligence agency, to assassinate Bond in such a way as to discredit both him and his organisation. As bait, the Russians use a beautiful cipher clerk and the Spektor, a Soviet decoding machine. Much of the action takes place in Istanbul and on the Orient Express. The book was inspired by Fleming's visit to Turkey on behalf of The Sunday Times to report on an Interpolconference; he returned to Britain by the Orient Express. From Russia, with Love deals with the East–West tensions of the Cold War, and the decline of British power and influence in the post-Second World War era.

From Russia, with Love received broadly positive reviews at the time of publication. The book's sales were boosted by an advertising campaign that played upon a visit by the British Prime Minister Anthony Eden to Fleming's Goldeneye estate, and the publication of an article in Life, which listed From Russia, with Love as one of US President John F. Kennedy's ten favourite books. The story was serialised in the Daily Express newspaper, first in an abridged, multi-part form and then as a comic strip. In 1963 it was adapted into the second film in the Bond series, starring Sean Connery.