Oct 30, 2018

Sardar Vallabhbhai Patel vise ni mahiti gujarati bhasha ma juo ahi

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Sardar Vallabhbhai Patel vise ni mahiti gujarati bhasha ma juo ahi

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Statue of unity vise NI mahiti

The Statue of Unity is a monument dedicated to Indian independence movement leader Vallabhbhai Patel[2] located in the Indian state of Gujarat. It is located facing the Narmada Dam, 3.2 km (2.0 mi) away on the river island called Sadhu Bet near Rajpipla in Gujarat. The monument along with its surroundings occupies over 20,000 square metres, and is surrounded by a 12 square km artificial lake.[3]It is the world's tallest statue with the height of 182 metres (597 ft).[4] Sardar Vallabhbhai Patel Rashtriya Ekta Trust (SVPRET), a special purpose vehicle was established by the Government of Gujarat for its construction and the outreach programme was carried out across India starting December 2013.[5]
Statue of Unity
Statue of unity (cropped).png

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The Gevninge helmet fragment is the dextereyepiece of a helmet from the Viking Age or end of the Nordic Iron Age. It was found in 2000 during the excavation of a Viking farmstead in Gevninge, near Lejre, Denmark. The fragment is moulded from bronze and gilded, and consists of a stylised eyebrow with eyelashes above an oval opening. There are three holes at the top and bottom of the fragment to affix the eyepiece to a helmet. The fragment is significant as rare evidence of contemporaneous helmets, and also for its discovery in Gevninge, an outpost that is possibly connected to the Anglo-Saxon epic Beowulf. It has been in the collection of the Lejre Museum since its discovery, and has been exhibited internationally as part of a traveling exhibition on Vikings.
Gevninge helmet fragment
Colour photograph of the Gevninge helmet fragment
Gevninge helmet fragment
MaterialBronzegold
Size8 by 5 cm
(3 by 2 in)
Createdc. 550–700 AD
Discovered2000
Gevninge, Denmark
55.6451°N 11.9595°E
Present locationLejre Museum, Denmark
The fragment is an ornate piece, but nothing else remains of the helmet; it might be the single remnant of a disintegrated helmet, or it might have simply been lost or discarded. It is one of two Scandinavian eyepieces discovered alone, however, giving rise to the suggestion that it was intentionally deposited in an invocation of the one-eyed god Odin. It would have been part of a decorated "crested helmet", the type of headgear that was common to England and Scandinavia from the sixth through eleventh centuries AD. These are particularly known from the examples found at VendelValsgärde, and Sutton Hoo; the Tjele helmet fragment is the only other Danish example known.
Gevninge is three kilometres (1.9 mi) upriver from Lejre, a one-time centre of power believed to be the setting for Heorot, the fabled mead hall to which the poetical hero Beowulf journeys in search of the monster Grendel. The settlement's location suggests that it functioned as an outpost through which anyone would have to pass when sailing to the capital, and in which trusted and loyal guardians would serve. This mirrors Beowulf's experience on his way to Heorot, for upon disembarking he is met with a mounted lookout whose job it is "to watch the waves for raiders, and danger to the Danish shore." Upon answering his challenge, Beowulf is escorted down the road to Heorot, much as an Iron Age visitor to Lejre might have been led along the road from Gevninge.

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Vigyan ni online entry  ni mahiti jilla wise


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Oct 29, 2018

Rashtriya ekta divas ni levana sapath see here

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Rashtriya ekta divas ni levana sapath see here

About project of statue of unity

The project was first announced on 7 October 2010.[9] Sardar Vallabhbhai Patel Rashtriya Ekta Trust (SVPRET), a special purpose vehicle was established by the Gujarat government for construction of the statue.[5]The iron needed for the statue and other structures was to be collected from farmers of villages all around India in a form of donation of their used farming instruments.[10] SVPRET set up 36 offices across India to collect these iron instruments[5] wherein over 500,000 Indian farmers were expected to donate.[11] The drive was named the 'Statue of Unity movement'.[12][13] There was to be three-months-long nationwide campaign to collect iron pieces from 600,000 villages to build the statue.[13] During this period, over 5,000 tonnes of iron were collected.[14] Although it was initially announced that the iron collected will be used for the main statue, it later emerged that the collected iron will not be used in construction of the main statue and will instead be used for some other part of the project.[15]
The Statue of Unity Movement had organized a Suraaj (good governance in Hindi) petition wherein people wrote about their ideas for the good governance. The Suraaj Petition was signed by an estimated 20 million people, which was the world's largest petition signed.[12] A marathon entitled Run For Unitywas held on 15 December 2013 in several places throughout India.[16] The marathon had a large turnout and sign-ups before the event and reported thousands of registrations

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Oct 25, 2018

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Aaj nu gyan 


During World War I87 F was used for convoy, patrol, escort and minesweeping tasks, anti-submarine operations,[1] and shore bombardment missions.[4][6] On 3 February 1916, 87 F and two other 250t-class boats were involved in a shore bombardment operation against Ortona and San Vito Chietino, led by the armoured cruiser Sankt Georg.[6] Three days later, the scout cruiserHelgoland87 F and five other 250t-class boats were intercepted by the British light cruiser HMS Weymouth and French destroyerBouclier north of Durazzo in Albania, during which the only damage was caused by a collision between two of the other 250t-class boats. On 9 July, the scout cruiser Novara led a force which included 87 F and two Kaiman-class torpedo boats in a raid on the Otranto Barrage, the Allied naval blockade of the Strait of Otranto, which resulted in the sinking of two drifters.[7] On 4 November, three Italian destroyers and three torpedo boats were involved in a brief encounter in the northern Adriatic with two Austro-Hungarian destroyers accompanied by 87 F and two other 250t-class boats. The following day, the same three torpedo boats conducted a shore bombardment of Sant'Elpidio a Mare.[8] In 1917, one of her 66 mm guns was placed on an anti-aircraft mount.[2] On 28 November 1917, a number of 250t-class boats were involved in two shore bombardment missions. In the second mission, 87 F joined seven other 250t-class boats and six destroyers for the bombardment of Porto CorsiniMarotta and Cesenatico.[9]
By 1918, the Allies had strengthened their ongoing blockade on the Strait of Otranto, as foreseen by the Austro-Hungarian Navy. As a result, it was becoming more difficult for the German and Austro-Hungarian U-boats to get through the strait and into the Mediterranean Sea. In response to these blockades, the new commander of the Austro-Hungarian Navy, Konteradmiral Miklós Horthy, decided to launch an attack on the Allied defenders with battleships, scout cruisers, and destroyers.[10]During the night of 8 June, Horthy left the naval base of Pola in the upper Adriatic with the dreadnought battleships Viribus Unitis and Prinz Eugen. At about 23:00 on 9 June 1918, after some difficulties getting the harbour defence barrage opened, the dreadnoughts Szent István and Tegetthoff,[11] escorted by one destroyer and six torpedo boats, including 87 F, also departed Pola and set course for Slano, north of Ragusa, to rendezvous with Horthy in preparation for a coordinated attack on the Otranto Barrage. About 03:15 on 10 June,[b] while returning from an uneventful patrol off the Dalmatian coast, two Royal Italian Navy (ItalianRegia MarinaMAS boatsMAS 15 and MAS 21, spotted the smoke from the Austrian ships. Both boats successfully penetrated the escort screen and split to engage the dreadnoughts individually. MAS 21 attacked Tegetthoff, but her torpedoes missed.[13] Under the command of Luigi RizzoMAS 15 fired two torpedoes at 03:25, both of which hit Szent István. Both boats evaded pursuit. The torpedo hits on Szent István were abreast her boiler rooms, which flooded, knocking out power to the pumps. Szent István capsized less than three hours after being torpedoed.[12] In October 1918, 87 F was at Durazzo in Albania when the port was bombarded by a multinational Allied naval force. She escaped with minor damage, in what was the last major action involving the Austro-Hungarian Navy.[

Oct 24, 2018

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The upper creature may be a dog or a cat. Blood pours out of its mouth onto the head and body of its prey, a chimera rendered as owl-like with human facial characteristics. The prey unsuccessfully struggles to flee from its captor. The lower figure's human aspect is most notable in the details of its mouth and genitalia.[2] Both figures are positioned in the centre foreground of the canvas, and are each mutilated and covered in blood, their physical discomfort contrasted against the flat, neutral background typical of Bacon's paintings. The figures exhibit many elements found in his early work, noticeably the expressive broad strokes set against the tightness of the flat, nondescript background.[3] The link with the biblical Crucifixion is made through the raised arms of the lower creature, and the T-shaped cross.[4]
The canvas is almost entirely stripped of colour. The T-shaped cross is dark blue; the two figures are painted in a mixture of white and black hues, the white tones dominating. Over half of the work is unpainted, essentially bare canvas. According to the theologian and curator Friedhelm Mennekes, the viewer's attention is thus solely focused "on the figure in agony on the cross, or more precisely: on the mouth, gaping and distorted in its cry".[5]The body of the chimera, or hybrid bird,[6] is rendered with light paint, and from it hang narrow red streams of paint, indicating the drips and spatter of blood. Bacon uses pentimenti to emphasise the hopelessness of the animal's death throes.[3]
The painting contains the same white angular rails as the mid-grounds of his 1949 Head IIHead VI, and Study for Portrait of the same year. In this panel, the rails are positioned just below the area where the horizontal and vertical bars of the cross intersect. The rail begins with a diagonal line which intersects the chimera at what appears to be the creature's shoulder.[3] The horizontal angular geometrical shape is sketched in white and grey in the mid-ground, and represents an early form of a spatial device Bacon was to develop and perfect during the 1950s, when it effectively became a cage used to frame the anguished figures portrayed in Bacon's foregrounds. In the mid-ground, the artist has sketched a street scene, which features walking stick figures and cars.[7] The pedestrians appear oblivious to the slaughter before them

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