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From Russia, with Love received mainly positive reviews from critics.[68] Julian Symons, in The Times Literary Supplement, considered that it was Fleming's "tautest, most exciting and most brilliant tale", that the author "brings the thriller in line with modern emotional needs", and that Bond "is the intellectual's Mike Hammer: a killer with a keen eye and a soft heart for a woman".[69]The critic for The Times was less persuaded by the story, suggesting that "the general tautness and brutality of the story leave the reader uneasily hovering between fact and fiction".[70] Although the review compared Fleming in unflattering terms to Peter Cheyney, a crime fiction writer of the 1930s and 1940s, it concluded that From Russia, with Love was "exciting enough of its kind".[70]
The Observer's critic, Maurice Richardson, thought that From Russia, with Love was a "stupendous plot to trap ... Bond, our deluxe cad-clubman agent" and wondered "Is this the end of Bond?"[60] The reviewer for the Oxford Mail declared that "Ian Fleming is in a class by himself",[27] while the critic for The Sunday Times argued that "If a psychiatrist and a thoroughly efficient copywriter got together to produce a fictional character who would be the mid-twentieth century subconscious male ambition, the result would inevitably be James Bond.
